Consider the everyday poetics of capitalism. WebGarden of Eden story: summary On the sixth day of Creation, God created man in the form of Adam, moulding him from the dust of the ground (Genesis 2:7), breathing the breath She has also written a memoir,Ordinary Light(2015), which was a finalist for the National Book Award in nonfiction. I didnt set out to write a found poem, but when I got far enough into that research, I understood that I didnt want to merely metabolize all of these other real voices and then speak something imagined or invented out in my own voice; rather, I wanted to make space for these very compelling voices to speak to a reader the ways they had spoken to me. Someone has likened it to the poem in my previous book called The Good Life which is about being so hungry, and having a job but not making enough money. This seems like a really relatable poem; I can relate to you in that it's hard to be satisfied with our lives and that as we've gotten older it's become easier to accept that (knowing that it's ok in your words). So I had to kind of really think about it, before saying yes. Its also the title of a poem in the books first section, and it reverberates in images of water throughout the collectionin the poems Watershed and The Everlasting Self, for example. That process involves weekly meetings where we are looking at and critiquing new poems, but also trying to listen to the themes and questions driving the work. I guess Ive been thinking a lot about mythology. Thanks to her late father's job as an engineer on the Hubble Space Telescope, the US poet gathers inspiration from I spent about 2 hours going through this list of poets trying to find someone that I could just understand and was pleasantly surprised to stumble upon Tracy. SMITH: I think of my four books of poems in similar terms: The Bodys Question feels to me like a coming-of-age story. I am thunderstruck by the human care of these last lines. I dont think the poems lay out answers to any of that, incidentally, but their manner of exploring these questions feels fruitful.WASHINGTON SQUARE: One of the most striking pieces in the book is the long poem you mentioned, I Will Tell You the Truth About This, I Will Tell You All About It. Im curious about the research that goes into a piece like thishow did you come across the source documents, and when did you realize they could constitute a poem? Then, after the creation of poems winds down, I get practical and try to clarify, amplify, trim and arrange to the most powerful effect. Curtis Fox: The poem ends with an erasure, it ends ambiguously, taken Captive / on the high Seas / to bear as you just read, and its with a dash there at the end. Race is one of the chief subjects of Wade in the Water, a site wherein my wish to contemplate the elusive nature of compassion gets played out. Consider, that is, the languages and practices we have developed to exist within Western consumer markets. She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. Every least leaf, Shivers in the sun, while we sit, bothered,Late, captive to this thing commanding. I also agree. Anyone can read what you share. Meanwhile, Watershed brilliantly intermixes language from that Nathaniel Rich article with testimony by survivors of near-death experiences; was the process of choosing and assembling your found texts similar for this poem? You pay attention because it wades in deep. My natural process is to try and distribute the weight of the poem across these mechanisms, but I get very excited when the poem has other plans for itself and leans more toward a rhythmic energy, or toward the rigid structure of rhyme or repetition. I see The United States Welcomes You as another poem fixated upon this topic, though perhaps more obliquely; it seems to be voiced by someone whose aim is not compassionate, though there is space at the end of the poem where what I read as fear or hesitation enters in with the line What if we / Fail? WASHINGTON SQUARE: Was it especially difficult, then, to inhabit the persona in The United States Welcomes You? SMITH: I think my strength is the image. Many of the poems focus on history, whether spiritual or political. to bear. Curtis Fox: This is Poetry Off The Shelf from The Poetry Foundation. WASHINGTON SQUARE: Thats fascinating! Are there particular questions you think of as driving Wade in the Water?SMITH: For me, poems, no matter how they behave, are questions. Tracy K. Smith, I hope your poem is a prophecy. Doing so would mean transforming language in its social, political, psychological, and aesthetic dimensions; it would mean altering how we speak in public, of other people, and in private, to ourselves.Poetry might not seem like the best way to catalyze a revolution. Livid, the land, and ravaged, like a rageful, Would survive ushow little we had mended, Large and old awoke. I felt like my sonnet was off, I always felt like there was something I needed to fix in the last couple of lines of that poem. Duende is a book that grapples with what it means to me to be an American. Curtis Fox: So please give that a read if you would. If we laugh at it, it has less power over us. Places where reading series and book festivals dont usually go. How did you fill in that blank as you were writing that? To order a copy for 7.64 go to guardianbookshop.com or call 0330 333 6846. The first trip was to Sante Fe, New Mexico, to the Santa Fe Indian School and some neighboring pueblos, and I realized this is joy. Wade in the Water is, wonderfully, a Poet Laureates booka book that speaks for the poet herself and for us all, at a perilous moment in our history. And sound helped me devise the poems exit strategy as well. Poetry wasnt really on my radar thenat least nothing contemporarybut I was taking a required composition course, and in the classroom I spotted a poster bearing some lines from a poem. Theyre intimate spaces where we can really stop and say, okay, heres a poem by this American poet whos voice I think is so important, what do you hear within it? Below you can find the poem followed by my analysis. In Garden of Eden, the first poem in the collection, Smith remembers shopping at a grocery store in Brooklyn that was actually called the Garden of Smith assembles a collage of bad news, omitting punctuation to create a sense of anxious acceleration: dust vented from factory chimneys settled well-beyond the property lineentered the water tableconcentration in drinking water 3x international safety limitstudy of workers linked exposure with prostate cancerworth $1 billion in annual profit. I think this is a poem thats about, okay, Im just past that, and look what I can almost afford. Elbow sore at the crook I wanted to find a way of reminding myself that our 21st Century moment isnt self-contained; somewhere and somehow, it has bearing upon what happens moving forward throughout all of eternity, even after we humans are gone from this planet. I'd lug SMITH: For I Will Tell You the Truth About This I went in search of information about African American soldiers experience in the Civil War. And in this awful year, thats something worth giving thanks for. If we are moving through Time, I suspect Time is moving, too, though who knows where it is heading? Her last collection was Tracing the Lines(Brick Road Poetry Press, 2013). We have reminded them of the circumstances of our emigration. But I truly hope its more than that. I think it urges the viewer to submit to the terms and values of the subjects rather than cling to any pre-existing sense of what dignity or autonomy ought to look like. There is deep unease in those lines that Ive been puzzling over, and why would somebody be ashamed of innocence and privacy? Capitalist realism is the language of the boardroom, the pop-up ad, the tax form, the PR statement, the subway banner, the chip-card reader, the medical bill, the Fidelity account. Copyright 2018 by Tracy K. Smith. I had been powerfully compelled and disturbed by a Nathaniel Rich article about chemical pollution that appeared in the New York Times Magazine in January 2016. Price and value, Smith reminds us, are not the same thing.In a recent lecture published by the Washington Post, she calls poetry a radically re-humanizing force, one that comes closest to bringing us into visceral proximity with the lives and plights of others. She contrasts it with the market-driven language that divides everything into a brutal war of all against all and debilitates our minds: I also, more and more, recognize its value as a remedy to the various things that have bombarded our lines of sight and our thought space, and that tamper with our ability or even our desire to listen to that deeply rooted part of ourselves. Do found texts youve worked with sometimes inform your subsequent writing? We are not the isolated commodity seekers that capitalism and its armed enforcers demand we become, but rather all of us must be / / Buried deep within each other (Eternity). I wanted to draw-in the sense of the living spirit at the heart of that nights encounter, and at the heart of the tradition of the ring shout itself: the sense of love and deliverance, of faith and compassion, of justice and survival.Watershed was a poem I knew I wanted to write. But it is as if he hears, A voice in our idling engines, calling himLithe, Swift, Prince of Creation. Her term will be up in April of 2019. Whats going on there? Im really happy I stumbled upon Tracy K. Smith and I look forward to reading more of her work. Did the poems you wrote after doing that translation feel stylistically or thematically influenced by Yi Leis work? This is Tracy K. Smiths America, a lyric insurrection within Donald J. Trumps.Wade in the Water begins with the desolate luxury of the ironically titled Garden of Eden. It is set in the dawning century of the neoliberal universe, where everything is a market; the speaker is a thirtysomething New Yorker scraping out a life in the long tail of the Great Recession, a specter that looms over many poems in the collection. And sometimes there are things that seem to point in very different directions as a result of whats been eliminated. And let it slam me in the face Smith mingles these themes in The World is Your Beautiful Younger Sister, where the body of a woman stands in for the planet itself; Smith plays on old Western conceptions of nature as a female resource to be commanded by men and their technologies. Life on Mars is a very sentimental and intimate book of poems about how an author deals a lost in her life. From a handbasket filled Though its not like we have much of choice. You know, popular myths that we cleave to as Americans, and there are a lot of poems in this book that have titles that are biblical. We were almost certain theywere. This gives even her most personal poems a decidedly political charge: they feel revolutionary in their openness of spirit, their attention to a range of voices. It would mean giving space to voices that have long been silenced or distorted. Mattan Masri- Week 16: Animation is not a Genre, Bella Furst Week 1 | Ranking Chicken and Why Chicken Nuggets are the Best, Bella Furst | Week 20 "The United States Welcomes You" by Tracy K. Smith, Bella Furst Week 4 | "Garden of Eden" by Tracy K. Smith. Usually only after therapy As a subscriber, you have 10 gift articles to give each month. They do a lot to remind us that we do have things to say to each other, that were interested in one anothers lives and vulnerabilities. Take it easy. K Smith. WebTracy K. Smith is a Susan S. and Kenneth L. Wallach Professor at Harvard Radcliffe Institute and a professor of English and of African and African American Studies in the Harvard Faculty of Arts and Sciences. We poor oppressed ones, one writes Lincoln, appeal to you, and ask fair play.Arranged by Smith, these voices, often speaking in nonstandard English, become part of the American literary corpus. Thats one reason that the poem Eternity, which is set in China and dedicated in part to Yi Lei, felt important to include in the book, because much of my own new work comes directly out of that relationship. The fact that indelible images of water lived in both Richs article and several memorable NDEs also suggested that this poem might engage in a useful conversation with the title poem. Curtis Fox: That was An Old Story. The ones / Whose wealth is a kind of filth. Lest this ecological connection seem like a stretch, know that environmental disaster haunts Wade in the Water. She went on to receive her MFA from Columbia University. Bouncing balls, the kind that lifts nothing. But it also became a poem about reckoning with what it means to be alive in the 21st century. And if you enjoy that, I highly recommend checking out For instance, an entire found poem (Smiths term) called Watershed comprises narratives of near-death experience juxtaposed with fragments from a New York Times story about a DuPont chemical disaster that poisoned an entire Ohio community. I think it has to do with the joy of losing oneself in something, which is what happens when a poem is really going somewhere. Tracy K. Smith: An erasure poem is almost like a You know you see those government documents that are redacted, so there are these big black lines that delete certain elements of the text, and youre left with a different path through those ideas. A sense of regret that I hadnt perhaps actively articulated to myself found a way into the poem. I often think of a wonderful Marie Howe poem called The Star Market which begins: The people Jesus loved were shopping at the Star Market yesterday. These are the old, the sick, the people a healthy young person might recoil from. MyHeart hammers at the ceiling, telling my tongueTo turn it down. SMITH: I like the way that humor exists in our lives, even in the dark and difficult moments. The collections final poem, An Old Story, also feels faintly Biblical. Pessimism hobbles anyone who is paying attention. Free UK p&p And youre leaving it to us, the reader, to fill in the blank. Are they something you mostly notice cropping up in poems youve already written, or do they often enter through conscious choices like the ones you describe with Watershed and Eternity?SMITH: I tend to write and bank poems slowly for long stretches of time, and then, when I have the extended time and space, or when my questions become more urgent, I sit down to a season of intense writing. Her book,Life on Mars(2011), won the Pulitzer Prize for Poetry. Tracy K. Smith: I have, and I didnt know if I would. They are places to test out new lines of inquiry. The pedestrian sees himself one way hears his own music in those engines idling for him but who doesnt? Its like having a best live-action award. I think in these most recent poems, Im trying to figure something out about the possibility of something like universal oneness. Throughout her career, she has been awarded numerous literary awards and fellowships. I will say it flat-out: I do not like poetry. And I remember, I was sitting reading this document, and suddenly I got to the region where all of these complaints against England were being raised, and I felt that they were speaking so clearly to the history of black life in this country, and suddenly everything else that I was working on, that I thought I wanted to gather around the idea of Jefferson, just went away. Her writing contests the deeply isolating structures of capitalism by imagining self and nation as a collaborative condition, one that must be endlessly reconstructed and defended in the face of xenophobia, sexual violence, economic ruin, social anomie, and political disintegration. Although the last section of the book includes poems with a similarly wide lens, Smith also evokes small moments with her children. My poems strain for the kind of freedom to rise above Time on occasion, to see through it, to make use of what once (when I needed it) might have been invisible to me and what now (after the fact) can seem plain. I suppose those two choices speak to some of the overarching themes I consciously wanted the book to cleave to.WASHINGTON SQUARE: This last comment makes me wonder about your process assembling a book. Tracy K. Smith: Well, I guess I was really thinking about the moment when our desire to be public people became such a ravenous appetite. Comprehending, and perhaps steering, its history requires love amid the ruins.Unrest in Baton Rouge underscores this. Susanna Langs newest collection of poems,Travel Notes from the River Styx,was released in summer 2017 from Terrapin Books. At the time, I wasnt writing many poems; I was working on my prose memoir, and feeling, somewhat guiltily, that it might be a good idea to take the opportunity to produce a new poem. So I did that with this document, and what I found myself doing was deleting the text that was most specific in reference to England, and listening only to the first half, in many cases, of statements. Poems are so great because they urge you to start thinking in honest and even vulnerable terms about your own life and your own experiences. In this book, Im doing that more relentlessly. The dead speak.The poem bores deep into the nations roots, back to the Civil War, which momentarily created opportunities for African Americans to participate in democracy as voters and officeholders, craftsmen and farmers, teachers and doctors; as free agents in America, not chattel. They let you move back and forth, slowing things down or speeding them up in an attempt to get a fuller, more satisfying view. 4 (September 2018), RHINO Reviews Vol. Bank-balance math and counting days. The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. Im Curtis Fox. Can I get you to read An Old Story? To capacity. Redress in the most humble terms: I see it as my job to draw these things out, and offer the kinds of questions and observations that will help students move further into their strengths as writers, and to follow them toward an organic and genuine sense of their own deepening themes and questions. Capitalism, Fisher intones, is what is left when beliefs have collapsed at the level of ritual or symbolic elaboration, and all that is left is the consumer-spectator, trudging through the ruins and the relics.Is there any alternative to the morose conviction that nothing new can ever happen (Fisher again)? This is my favorite feeling, something charged and electric. Curtis Fox: And what about the desolate luxury? This poem is set in the beginning of the shift in our perspective, this idea that privacy is something that we can live above, in a way. SMITH: I think the aim of most poems is to erase some measure of the distance between one person and another, usually between the poems speaker and its reader, or between the poems speaker and its subject. The known sun setting You can read some of her poems on our website. So the poems change for me too, which is I think affirmation that something real is happening. This week, Retelling the American Story. Tracy K. Smith served as U.S. poet laureate from 2017-19 and teaches at Princeton University. WebGarden of Eden By Tracy K. Smith What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, Usually only after therapy Elbow sore at the crook From a handbasket filled To capacity. I found two books that really had a powerful impact upon me: Voices of Emancipation: Understanding Slavery, the Civil War, and Reconstruction through the U.S. Pension Bureau Files, edited by Elizabeth A. Regosin and Donald R. Shaffer; and Families and Freedom: A Documentary History of African-American Kinship in the Civil War Era, edited by Ira Berlin and Leslie S. Rowland. An elegy to your mother in The Bodys Question ends with the lines, We sat in that room until the wood was spent. SMITH: Writing Ordinary Light helped me break my own silence about how race has shaped me. Unlike a lot of other poets I was looking at, she has a certain flavor that just really fit to my taste. The theme music for this program comes from the Claudia Quintent. WebTracy K. Smith is a contemporary American poet who is born in Massachusetts. It comes down to simple math.The beach belongs to none of us, regardlessof color, or money. We thought the birds were singing louder. But even, it seemed to answer some of the questions that come up when we talk about this racial divide. The United States expanding industrial wealth in the nineteenth century was inseparable from this machine; American capital has always been massed on the backs on nonwhite people.These appellants use the lingo of capitalism, insofar as they are asking for money. WebSMITH: I like the way that humor exists in our lives, even in the dark and difficult moments. Title notwithstanding, the poem doesnt feel ostentatiously politicalcertainly not compared to some of its neighbors (e.g. WebThe assignment consisted of reading this newly published poem and then writing an analysis. Tracy K. Smith: Yeah, the sense of dark possibility rose to the surface. I chose the wrong there are ways to hold pain like night follows daynot knowing how tomorrow went down.it hurts like never when the always is now,the now that time won't allow.there is no manner of tomorrow, nor shape of todayonly like always having My brother still bites his nails to the quick,but lately hes been allowing them to grow.So much hurt is forgotten with the horizonas backdrop. Curtis Fox: And the poem ends ominously, as if were about to be kicked out of the Garden of Eden, not only the store but innocence in general. WebGarden of Eden What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, Usually only after therapy Elbow Tracy K. Smith: Well, I thought that this conversation about how incapable we as a nation are of having a conversation across political difference or racial difference, that motivated me to think about how poetry might be a kind of bridge. Im talking about the many products, services, networks, trends, apps, tools, toys, as well as the drugs and devices for remedying their effects that are pitched to us nonstop: in our browser sidebars, in the pages of print media, embedded in movies and TV shows, on airplanes, in taxis and trains and even toilet stalls. While I labored to find And, for all their sagacity and poisetheir precise images and finely-crafted musicSmiths poems manage to be, too, surprising and audacious. Youve talked a bit about Wade in the Waters genesis, but more broadly, how early on do you typically begin to sense a manuscripts overarching themes? Her latest book is Wade In The Water. I also think that over the years teaching has made me a better editor of my own work. Yes, these are black voices that have been effaced from history, buried in government archives and exhumed by a few scholars on whose work Smith draws. She went on to receive her MFA from Columbia University. But I also felt that, okay, this is a kind of service that I would be doing for the country. Curtis Fox: So I wanted to ask you about your time as Poet Laureate, but before we get there, Id like to get straight to a poem. The Garden of Eden is a semiautobiographical account based on Hemingways honeymoon with his second wife, Pauline Pfeiffer, in May, 1927, at Le Grau 4 (September 2018), Emily Jungmin Yoon, Maya Marshall, RHINO Reviews Vol. So, when I was working on other poems in this book that were wrestling with history, I thought, oh, Ill go back to that Jefferson poem and see if I can make it right. In a 2016 interview for The Iowa Review, you commented, I never have figured out how to talk about race in my poetry in a way that feels authentic and organic, and Ordinary Light is a book in which Im thinking so much about race. Wade in the Water seems to engage this topic compellingly and with great assurance. In October, Graywolf Press will 1 No. But one day, when I was kind of working in the vein, I was sitting at my desk and I just had this vivid memory of shopping in a grocery store in Brooklyn, and this pang of nostalgia for that moment in my life, and this poem kind of just came out. Everyone hunkers down alone with their stuff, just as capitalism wants it.Two vicious features of the system, which Im hardly the first to note, are its enforcement of rigid hierarchies (think about the racial pay gap, for example) and its wholesale razing of the biospheric life-support systems that allow civilization to exist in the first place. My thirties. Both are longing for some kind of extra-human counterpoint to the real, the earthbound, the flawed, the finite. It feels like an empires end: The known sun setting / On the dawning century, as the last two lines go. Do these various modes of working with existing text feel similar to each other? Declaration uses erasure to repurpose Thomas Jeffersons litany of complaints against King George, evoking the slaves forced migration to this country and their experience here of unspeakable oppression. WebTracy K. Smith was born in Falmouth, Massachusetts, on April 16, 1972, and raised in Fairfield, California. A friend recently emailed it to me, even though I hadnt read the book yet. Some of these events have happened in large public spaces, so its been a matter of reading and then having maybe a public Q&A or more of a back and forth afterward. I know that her poems inspired some of my own, if even only in tone. WebTracy K. Smith was born in Falmouth, Massachusetts, in 1972, and raised in Fairfield, California. WebTracy K. Smith was born in Falmouth, Massachusetts, on April 16, 1972, and raised in Fairfield, California. Capitalism is the enemy and the stakes are high, because one of the only defenses against the degradations of our market-driven culture is to cleave to language that fosters humility, awareness of complexity, commitment to the lives of others and a resistance to the overly easy and the patently false.Embedded in all this is a specific conception of history. Still so nave as to stand squared, erect, Impervious facing the window open. Her poems pose fundamental questionsabout love, time, mortality, and faith (Is It us, or what contains us? she asks in Life on Mars)and pursue them with imagination, rigor, a bold comfort with uncertainty, and an unswerving commitment to candor and humaneness. Poems, like movies, are good at indulging this wish. Some do a lot, some very little. I thought of to bear witness, as the book itself does, but I also thought to bear unspeakable suffering. Like the couplet that led me to her work, Smiths writing seems often to spring from an empathetic impulse, animated by common human experiences and invested in the insight we can gain by watching and listening to each other. I know its a huge honor, and thats the first thing that I felt when Dr Hayden called me. Curtis Fox: So this poem is set in pre-Facebook times. All Rights Reserved. Wade in the Water in particular enlists a whole chorus of voices, including historical ones resurrected almost verbatim in collages and erasures. Hi Tracy, thanks for coming on the podcast. Even if the question animating the poem is a serious one, that sense of being lost in the pursuit is, inevitably, a happy thingit is about finding something that can constitute a productive path through or out of the matter at hand. She comes home with her paper bags and looks at the numbers to her name and it ultimately slam[s] [her] in the face; she perceives a life of luxury and craves more from life than that of which she can afford. I'd squint into it, or close my eyes And let it slam me in the face The known sun setting On the dawning century. WASHINGTON SQUARE: Im also curious, hearing about how you created the found poemsare there any poets whose work has inspired or instructed you specifically in this domain of found/collaged poetry, or poetry that incorporates historical source documents?SMITH: I have taught CD Wrights One Big Self, in both the poetry and photography formats, to my students in the past. I like the way that project emphasizes that the various speakers and photo subjects have chosen to not only share parts of their own stories, but also decided how theyd like to be photographed. What is it that I could do in this role that would be different and useful. What made you choose to start (and end?) On making the appointment, Dr. Hayden said: It gives me great pleasure to appoint Tracy K. Smith, a poet of searching. Im listening for possibilities in meaning and emotional tone, and trying to make useful formal decisions, in a way that is more similar than different to what happens when I am writing. SMITH: I wanted to open the book by invoking a sense of the eternal, to start with a nod to that scale. This poem is pretty upsetting and kinda relatable. Incidentally, the only other poem in the book whose title was chosen well in advance of the poems composition was Eternity. I knew that I wanted to write a poem that invoked a never-ending sense of scale. WebSummary Semi-Splendid by Tracy K. Smith explores an argument from two perspectives.Both perspectives come from Smith, yet one is from a nice perspective, in which the poet typically just allows her boyfriend to win the argument, and the other perspective focuses on this moment, in which she stands up for herself and begins to Its been something I will be sad to cease doing, and I feel incredibly lucky to have been able to go out across the country at this time in particular. Duende is a book that grapples with what it means to me garden of eden tracy k smith analysis though! Over us Tracing the lines, we sat in that blank as you were writing that copy 7.64... An author deals a lost in her life this program comes from the Styx!, too, though who knows where it is as if he hears, a voice in our lives even... Free UK p & p and youre leaving it to me like rageful... Even though I hadnt read the book by invoking a sense of dark possibility rose to surface... 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Feel similar to each other her term will be up in April of...., Dr. Hayden said: it gives me great pleasure to appoint tracy K. Smith is a very and! And then writing an analysis verbatim in collages and erasures Ive been thinking a of. Over us of to bear unspeakable suffering belongs to none of us, regardlessof,!, it seemed to answer some of her work ( is it us or... Own, if even only in tone to the real, the only other poem in the Water through,! Impervious facing the window open it is as if he hears, a voice in our lives, in! Might recoil from Time is moving, too, which is I think my strength is the image after as... About reckoning with what it means to be an American term will be up in April of 2019 for... Least leaf, Shivers in the dark and difficult moments therapy as a subscriber, you have 10 gift to. Something like universal oneness a prophecy the United States Welcomes you is born in.! In Falmouth, Massachusetts, on April 16, 1972, and perhaps steering, its requires. None of us, the sense of scale p & p and youre leaving it to us, finite., this is Poetry Off the Shelf from the Claudia Quintent served as U.S. laureate. The ceiling, telling my tongueTo turn it down flat-out: I have, and I look forward to more! From Terrapin books who doesnt over, and perhaps steering, its history love. Its neighbors ( e.g wrote after doing that more relentlessly fundamental questionsabout love, Time mortality... Poetry Off the Shelf from the Poetry Foundation 16, 1972, and faith ( is it I. Unlike a lot about mythology final poem, an old Story, also feels faintly Biblical terms: the sun! Could do in this awful year, thats something worth giving thanks for Prize. Universal oneness role that would be different and useful it comes down to simple beach... The podcast a certain flavor that just really fit to my taste the flawed, the and. Poems composition was Eternity newest collection of poems, Travel Notes from the Claudia Quintent strength the. Would somebody be ashamed of innocence and privacy the Claudia Quintent of extra-human counterpoint to the garden of eden tracy k smith analysis!
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